Wednesday, September 09, 2009

The New Talkies this Friday, 9/11: San Francisco, de Young Museum

I’ll be in San Francisco this Friday, 9/11 to perform my neo-benshi piece for Paul Wegener’s German silent, “Der Golem.” Jen Hofer, Douglas Kearney & Nicole McJamerson, and Andrew Choate will be up from L.A. to debut new pieces, along with local hero Jaime Cortez, who killed with his election-era Obama-ization of “Guess Who’s Coming to Dinner” last year. If the Bay’s in your radius, hope you’ll come out. You can find some background on the movie, a troublesome gem, here, here, and here.
The De Young Poetry Series presents
An Evening of the New Talkies with ANDREW CHOATE, JEN HOFER, DOUGLAS KEARNEY and NICOLE McJAMERSON, RODNEY KOENEKE, & JAIME CORTEZ
de Young Museum, Koret Auditorium
Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco
7:00–8:30 p.m., $5 (no ticket for museum entry required)

In the past six years a new application of live poetic art has emerged in San Francisco and other cities. Neo-benshi is the art of re-narrating scenes to films with the sound muted. For this event, six poet-performers have written scripts to re-narrate scenes from well-known films. Without their original audio tracks, the images from the films are freed to reveal hidden meanings, which these writers draw to the surface or forge anew. Poets appearing tonight include Andrew Choate, Jen Hofer, Douglas Kearney & Nicole McJamerson, Rodney Koeneke, and Jaime Cortez. Local filmmaker, curator, and writer Konrad Steiner introduces the program.

5 comments:

konrad said...

Jaime's new piece is just as brilliant.

rodney k said...

Hi Konrad,

Are you able to say here what the film is? It's mysteriously "TBA."

konrad said...

The Fifth Element

Hazel White said...

Great performance last night! I really liked that you used the whole stage. I would like to see the work again, was very interested in your text. Is neo benshi "published"?

rodney k said...

Hi Hazel,

Thanks for coming, and for commenting.

I'd like to publish the 3 scripts I've written, but can't figure out exactly how to do it. I've seen other people's scripts sometimes printed without the pictures, like Jocelyn Saidenberg and Bob Gluck's piece in Saidenberg's book, "Negativity"; Stephanie Young printed script with stills in her recent "Picture Palace." Mine depend so closely on the pictures that I'm not sure they'd make sense without the film. I'm open to any ideas ...

Appreciate you being there.