The passage about this in the book is fascinating. I always thought insurance was the dull-as-dust industry artists like Stevens were forced into. At the turn of the last century though, when Ives chose it for a profession, apparently it was something like the Internet of its day--exciting, new, and pregnant with democratic possibility. Acc. to Cowell, Ives trained the salesmen, and saw them to some degree as apostles of Emersonian democracy as they convinced average Joes that insurance was for them, too.
Author of Body & Glass (Wave Books, 2018), Etruria (Wave Books, 2014), Musee Mechanique (BlazeVOX, 2006), and Rouge State (Pavement Saw, 2003). Married Lesley Poirier; lives in Portland, OR.
2 comments:
Thanks for mentioning Emerson, even tangentially.
Word verification: quine.
Hi Michael,
The passage about this in the book is fascinating. I always thought insurance was the dull-as-dust industry artists like Stevens were forced into. At the turn of the last century though, when Ives chose it for a profession, apparently it was something like the Internet of its day--exciting, new, and pregnant with democratic possibility. Acc. to Cowell, Ives trained the salesmen, and saw them to some degree as apostles of Emersonian democracy as they convinced average Joes that insurance was for them, too.
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